Dissolve Into Laughter

He tried film scores for a bit, but that wasn’t rewarding. People kept interfering: producers, the distributors. “You put all this effort into it, and then the film comes out and you realise that the interest in the music is so limited, it’s so homogenised. You look at the poster and think, fucking hell, what did we have to do with it?” He rolls his eyes. “You know, it would be easier to make another record.” And Massive Attack dissolve into laughter again.

Alexis Petridis